So this is what the murder scene looks like. There, on the sun-dappled driveway, is where the shots were fired; here, at the top of the hill with its astonishing view of São Paulo, is the mausoleum where the bodies, currently in a public burial ground, will one day be laid; there, just beyond the children playing football on the lawn, is the murdered artist’s studio, since closed; and here, at the edge of the property, lies his church, still very much open.
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